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Director Gill’s @psychobaby_gill latest collaboration with ELLE, using a cute fun magazine vibe. Check it out. 在和 ELLE合作的這支影片，造型致敬了一系列大家都很喜歡的日本高人氣女星。 以雜誌風格的呈現，將視線鎖定在每個女孩最迷人的瞬間。
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Director Gill’s @psychobaby_gill latest collaboration with ELLE, using a cute fun magazine vibe. Check it out. 在和 ELLE合作的這支影片，造型致敬了一系列大家都很喜歡的日本高人氣女星。 以雜誌風格的呈現，將視線鎖定在每個女孩最迷人的瞬間。
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Director Gill’s @psychobaby_gill latest collaboration with ELLE, using a cute fun magazine vibe. Check it out. 在和 ELLE合作的這支影片，造型致敬了一系列大家都很喜歡的日本高人氣女星。 以雜誌風格的呈現，將視線鎖定在每個女孩最迷人的瞬間。
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What was the process of building the film, pairing the text and images? RH: It was all 100% scripted and planned. Every scene is related to the text of a real sound effect from a sound effects library, which I began collecting over a period of a few months. Then I built the whole film as an animatic first, based on those SFX titles and fleshed it out from there. 問：這部短片的製程是如何？ RH：全片都是劇本編排及計劃過的。每個段落的場景都與真實的SFX標題有關。 我花了數月的時間蒐集並建了一個SFX資料庫後，將全片先以動畫的方式組合，而後再慢慢的變為現在的形式。
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The inclusion of the microphone in the first shot feels different. RH: Yeah, that’s the link to the inspiration of the film. The mic is a nod to the titles – which are (mostly) real titles of real sound effects used to underpin each scene. I wanted the audience to start with the idea that the titles are telling us what’s being recorded in each scene and then pull them to somewhere else completely as the film unfolds. 問：第一個場景裡所包含的麥克風設置感覺很特殊。 RH：是的，我所要表現的是，這部片的靈感與此片的連結，也是對短片標題的呼應。 幾乎全部的影像都有一個真實存在的SFX來做基石。 且我希望觀眾從標題告訴我們每個場景中記錄了什麼的想法開始，隨影像的展開再將他們牽引至其他地方。
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Interview of director’s notes RH:I’m interested to explore the relationship the text has to the chapters. At the time I was obsessed with the idea of how we try and cope with loss, how we humans decompartmentalise it and what we need in order to create safe spaces and distance from difficult events. So that was on my mind when I was searching for SFX for another film project and I began noticing these incredibly emotive, yet emotionally distant titles that SFX use – ‘Respirator, noisy’ – and wondered if film as a medium could represent that mental ‘safe space’ and distance we need to cope with difficult events. RH：我對『人類如何調適與面對失去』這個主題特別著迷，我們傾向分區化，好得到足夠的距離與安全空間去面對困難事件。 思考這個主題的當時，我正在為另一個影像作品搜尋SFX，並注意到了一個勾起強烈情感，卻又同時充滿距離的SFX標題【呼吸器．吵雜】。 我便開始思考，影片作為一個媒介，能否代表人類面對及調適困難事件時，精神上的安全空間及距離。
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In JJ Lin’s new music video, “We Will,” Remii tells a story about a boy with OCD and hypochondriac stepping out of his comfort zone to protect the one he cared for dearly. 我們都有自己的安全範圍，有些人比較有彈性，而有些人則是固定的形狀。 在JJ的新歌『一定會』中，Remii敘述著固定形狀的男孩，遇到了不得不踏出安全範圍的危急例子。 雖然只能一下下，但是為了在乎的人，就算惶恐也要奔向你。
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In JJ Lin’s new music video, “We Will,” Remii tells a story about a boy with OCD and hypochondriac stepping out of his comfort zone to protect the one he cared for dearly. 我們都有自己的安全範圍，有些人比較有彈性，而有些人則是固定的形狀。 在JJ的新歌『一定會』中，Remii敘述著固定形狀的男孩，遇到了不得不踏出安全範圍的危急例子。 雖然只能一下下，但是為了在乎的人，就算惶恐也要奔向你。
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In JJ Lin’s new music video, “We Will,” Remii tells a story about a boy with OCD and hypochondriac stepping out of his comfort zone to protect the one he cared for dearly. 我們都有自己的安全範圍，有些人比較有彈性，而有些人則是固定的形狀。 在JJ的新歌『一定會』中，Remii敘述著固定形狀的男孩，遇到了不得不踏出安全範圍的危急例子。 雖然只能一下下，但是為了在乎的人，就算惶恐也要奔向你。
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Falling in love is one of the craziest human experiences. Your heart starts racing; your pupil dilates ; time flies when you're with them, yet when apart, every second feels like a century. It feels like being possessed, and the only thing you can do is surrender. 在陳亨利 @chenrychen 為 @jjlin 執導的最新MV 『Like You Do』中，用影像詮釋著剛陷入戀情中的人們，那種身不由己，宛如著魔般的狂亂狀態。
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Falling in love is one of the craziest human experiences. Your heart starts racing; your pupil dilates ; time flies when you're with them, yet when apart, every second feels like a century. It feels like being possessed, and the only thing you can do is surrender. 在陳亨利 @chenrychen 為 @jjlin 執導的最新MV 『Like You Do』中，用影像詮釋著剛陷入戀情中的人們，那種身不由己，宛如著魔般的狂亂狀態。
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Falling in love is one of the craziest human experiences. Your heart starts racing; your pupil dilates ; time flies when you're with them, yet when apart, every second feels like a century. It feels like being possessed, and the only thing you can do is surrender. 在陳亨利 @chenrychen為 @jjlin 執導的最新MV 『Like You Do』中，用影像詮釋著剛陷入戀情中的人們，那種身不由己，宛如著魔般的狂亂狀態。
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In this new teaser @fingerandtoetv created for ASUS 2022CES, we follow the astronaut’s journey to a detailed planet that’s inspired by the ASUS’s logo. 👩🏻‍🚀 新年的開端我們化身為太空人，登上飛行器，穿越黑洞登陸Folding World探索新世界。在短短的2022CES teaser中，無論是摩斯密碼登機證、呼應商品折疊特色的飛行器或是隱藏ASUS logo造型的場景設計，都蘊含著FT的巧思，作為ASUS揭開大螢幕摺疊筆電旅程的楔子。 👩🏻‍🚀 #2022 #ASUS #animation #fingerandtoetv
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In this new teaser @fingerandtoetv created for ASUS 2022CES, we follow the astronaut’s journey to a detailed planet that’s inspired by the ASUS’s logo. 👩🏻‍🚀 新年的開端我們化身為太空人，登上飛行器，穿越黑洞登陸Folding World探索新世界。在短短的2022CES teaser中，無論是摩斯密碼登機證、呼應商品折疊特色的飛行器或是隱藏ASUS logo造型的場景設計，都蘊含著FT的巧思，作為ASUS揭開大螢幕摺疊筆電旅程的楔子。 👩🏻‍🚀 #2022 #ASUS #animation #fingerandtoetv
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In this new teaser @fingerandtoetv created for ASUS 2022CES, we follow the astronaut’s journey to a detailed planet that’s inspired by the ASUS’s logo. 👩🏻‍🚀 新年的開端我們化身為太空人，登上飛行器，穿越黑洞登陸Folding World探索新世界。在短短的2022CES teaser中，無論是摩斯密碼登機證、呼應商品折疊特色的飛行器或是隱藏ASUS logo造型的場景設計，都蘊含著FT的巧思，作為ASUS揭開大螢幕摺疊筆電旅程的楔子。 👩🏻‍🚀 #2022 #ASUS #animation #fingerandtoetv
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Our last project of 2021! Directed by @poyisung 就用與每天都離不開的好夥伴『LINE』的合作， 來為去年所有工作劃下句點～。 #line #2021
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Our last project of 2021! Directed by @poyisung 就用與每天都離不開的好夥伴『LINE』的合作，來為去年所有工作劃下句點～。 #line #2021
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Our last project of 2021! Directed by @poyisung 就用與每天都離不開的好夥伴『LINE』的合作，來為去年所有工作劃下句點～。 #line #2021
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When we make friends with an individual, it’s as if we saved a version of ourselves along with that person, and every time we reunite, we reload, as time has never passed. 用純粹的畫面，講述最真誠的心情。 有沒有一個朋友多年未見，但還是常常想起對方？ 相識一個交心的人，是不是如相互存檔，將自己當下的模樣，存在對方那裡了呢？ 想起你，就像想起當時的自己。
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When we make friends with an individual, it’s as if we saved a version of ourselves along with that person, and every time we reunite, we reload, as time has never passed. 用純粹的畫面，講述最真誠的心情。 有沒有一個朋友多年未見，但還是常常想起對方？ 相識一個交心的人，是不是如相互存檔，將自己當下的模樣，存在對方那裡了呢？ 想起你，就像想起當時的自己。
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When we make friends with an individual, it’s as if we saved a version of ourselves along with that person, and every time we reunite, we reload, as time has never passed. 用純粹的畫面，講述最真誠的心情。 有沒有一個朋友多年未見，但還是常常想起對方？ 相識一個交心的人，是不是如相互存檔，將自己當下的模樣，存在對方那裡了呢？ 想起你，就像想起當時的自己。 #emersontsai #蔡昌憲
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In Greek mythology, the newly dead who drank from the River Lethe would lose all memory of their past existence.    In Asia, it is called the “Meng Po Soup,” made from the river of forgetfulness under the bridge of reincarnation. Before crossing, the deceased would drink this soup to forget all emotions and memories.   Those who choose not to often have someone so dearly in their heart that even death can’t tear them apart and will have a birthmark in subsequent life to help remind them that they have someone to find in this new life. 🥣 我反芻著你留下的寂寞MV中，Remii耳目一新詮釋著經典，『孟婆湯』的故事。 阿澤死守著記憶，只為來世能再度尋回珍愛的人。 🥣 #理想混蛋 #林哲熹
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In Greek mythology, the newly dead who drank from the River Lethe would lose all memory of their past existence.    In Asia, it is called the “Meng Po Soup,” made from the river of forgetfulness under the bridge of reincarnation. Before crossing, the deceased would drink this soup to forget all emotions and memories.   Those who choose not to often have someone so dearly in their heart that even death can’t tear them apart and will have a birthmark in subsequent life to help remind them that they have someone to find in this new life. 🥣 我反芻著你留下的寂寞MV中，Remii耳目一新詮釋著經典，『孟婆湯』的故事。 阿澤死守著記憶，只為來世能再度尋回珍愛的人。 🥣 #理想混蛋 #林哲熹
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In Greek mythology, the newly dead who drank from the River Lethe would lose all memory of their past existence.    In Asia, it is called the “Meng Po Soup,” made from the river of forgetfulness under the bridge of reincarnation. Before crossing, the deceased would drink this soup to forget all emotions and memories.   Those who choose not to often have someone so dearly in their heart that even death can’t tear them apart and will have a birthmark in subsequent life to help remind them that they have someone to find in this new life. 🥣 我反芻著你留下的寂寞MV中，Remii耳目一新詮釋著經典，『孟婆湯』的故事。 阿澤死守著記憶，只為來世能再度尋回珍愛的人。 🥣 #理想混蛋 #林哲熹
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In this new music video directed by Henry Chen, he explores the passionate view of #Antiwork 在導演陳亨利為蕭秉治所拍攝的Wild中，工廠可代表著社會，老闆也可看作為，一直位處上層的各式壓迫者。 從他們的角度往下看，是一片黑壓壓沒有姓名的消耗品。 而身處工廠，穿梭人群中唱歌的蕭秉治，即代表你我心底不畏強權的聲音，鼓勵我們起身反抗。 #蕭秉治 #musicvideo #wild
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In this new music video directed by Henry Chen, he explores the passionate view of #Antiwork 在導演陳亨利為蕭秉治所拍攝的Wild中，工廠可代表著社會，老闆也可看作為，一直位處上層的各式壓迫者。 從他們的角度往下看，是一片黑壓壓沒有姓名的消耗品。 而身處工廠，穿梭人群中唱歌的蕭秉治，即代表你我心底不畏強權的聲音，鼓勵我們起身反抗。 #蕭秉治 #musicvideo #wild
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In this new music video directed by Henry Chen, he explores the passionate view of #Antiwork 在導演陳亨利為蕭秉治所拍攝的Wild中，工廠可代表著社會，老闆也可看作為，一直位處上層的各式壓迫者。 從他們的角度往下看，是一片黑壓壓沒有姓名的消耗品。 而身處工廠，穿梭人群中唱歌的蕭秉治，即代表你我心底不畏強權的聲音，鼓勵我們起身反抗。 #蕭秉治 #musicvideo #wild
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In Greg Han's new music video “One Day At A Time”, the camera continuously rotates around him at the same speed. Director Remii used this setup to represent time. Each spin, we see a different side of Greg and get to know him a little bit more. MV『一日』的構想中，導演黃婕妤 @remiimartinii 認為車子就像移動的內在空間。 鏡頭以同樣的速率，如時鐘般，在車內持續轉動， 車內循環的這五圈當中，我們陪著許光漢經歷各個面向，一層層地，從日常剝開，直到純淨的核心。 🛻 #kuanghanhsu #musicvideo #許光漢 #一日
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In Greg Han's new music video “One Day At A Time”, the camera continuously rotates around him at the same speed. Director Remii used this setup to represent time. Each spin, we see a different side of Greg and get to know him a little bit more. MV『一日』的構想中，導演黃婕妤 @remiimartinii 認為車子就像移動的內在空間。 鏡頭以同樣的速率，如時鐘般，在車內持續轉動， 車內循環的這五圈當中，我們陪著許光漢經歷各個面向，一層層地，從日常剝開，直到純淨的核心。 🛻 #kuanghanhsu #musicvideo #許光漢 #一日
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In Greg Han's new music video “One Day At A Time”, the camera continuously rotates around him at the same speed. Director Remii used this setup to represent time. Each spin, we see a different side of Greg and get to know him a little bit more. MV『一日』的構想中，導演黃婕妤 @remiimartinii 認為車子就像移動的內在空間。 鏡頭以同樣的速率，如時鐘般，在車內持續轉動， 車內循環的這五圈當中，我們陪著許光漢經歷各個面向，一層層地，從日常剝開，直到純淨的核心。 🛻 #kuanghanhsu #musicvideo #許光漢 #一日
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Emerson Tsai's second music video with us, "Walk Together," directed by Jung Kuan Chen. In this music video, Emerson Tsai appears to be the traditional Taiwanese grocery store owner, but in fact, a secret Cupid, looking after the shy boy helping him to pursue his first love. 🛋 與蔡昌憲合作的第二支MV上線啦。 導演特殊的寬式風格，也讓人一眼就看出是他的新作品。 在【玲瑯踅】中，蔡昌憲化身為古意的傳統雜貨店老闆，默默地充當害羞男孩的邱比特，溫暖照看著這段萌芽的戀情。 — Dir @jungkuandragon #musicvideo #蔡昌憲 #玲瑯踅
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Emerson Tsai's second music video with us, "Walk Together," directed by Jung Kuan Chen. In this music video, Emerson Tsai appears to be the traditional Taiwanese grocery store owner, but in fact, a secret Cupid, looking after the shy boy helping him to pursue his first love. 🛋 與蔡昌憲合作的第二支MV上線啦。 導演特殊的寬式風格，也讓人一眼就看出是他的新作品。 在【玲瑯踅】中，蔡昌憲化身為古意的傳統雜貨店老闆，默默地充當害羞男孩的邱比特，溫暖照看著這段萌芽的戀情。 — Dir @jungkuandragon #musicvideo #蔡昌憲 #玲瑯踅
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Emerson Tsai's second music video with us, "Walk Together," directed by Jung Kuan Chen. In this music video, Emerson Tsai appears to be the traditional Taiwanese grocery store owner, but in fact, a secret Cupid, looking after the shy boy helping him to pursue his first love. 🛋 與蔡昌憲合作的第二支MV上線啦。 導演特殊的寬式風格，也讓人一眼就看出是他的新作品。 在【玲瑯踅】中，蔡昌憲化身為古意的傳統雜貨店老闆，默默地充當害羞男孩的邱比特，溫暖照看著這段萌芽的戀情。 — Dir @jungkuandragon #musicvideo #蔡昌憲 #玲瑯踅
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We had a great time working with Emerson Tsai. The music video "I'm Free" directed by Supadog, one of the core members of Finger and Toe, designed the perfect feel for this jolly tune. 🌴 🌴 昌憲本人真的很有活力，不管是鏡頭外還是鏡頭前都非常專業，把大家逗得哈哈大笑，一定是大拇指的啦！ 感謝參與這支MV的所有人，沒有大家的幫忙就不會有今天這支可愛的MV，Enjoy! 「無閒」是工作忙碌的現代人最常拒絕邀約的理由。故事中兩個角色，一個是平凡的上班族蔡昌憲，另一個是充滿玩心的小蔡，當內心那個想要放鬆玩樂的小蔡終於獲得抒發時，「無閒」就變成「有閒」了。 🌴 🌴 #Luckysparks #FT #FingerandToe #animationstudio #collage #animation #digitalcollage #creativechallenge #有閒 #MusicVideo #蔡昌憲
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We had a great time working with Emerson Tsai. The music video I'm Free directed by Supadog, one of the core members of Finger and Toe, designed the perfect feel for this jolly tune. 🌴 🌴 昌憲本人真的很有活力，不管是鏡頭外還是鏡頭前都非常專業，把大家逗得哈哈大笑，一定是大拇指的啦！ 感謝參與這支MV的所有人，沒有大家的幫忙就不會有今天這支可愛的MV，Enjoy! 「無閒」是工作忙碌的現代人最常拒絕邀約的理由。故事中兩個角色，一個是平凡的上班族蔡昌憲，另一個是充滿玩心的小蔡，當內心那個想要放鬆玩樂的小蔡終於獲得抒發時，「無閒」就變成「有閒」了。 🌴 🌴 #Luckysparks #FT #FingerandToe #animationstudio #collage #animation #digitalcollage #creativechallenge #有閒 #MusicVideo #蔡昌憲
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We had a great time working with Emerson Tsai. The music video "I'm Free" directed by Supadog, one of the core members of Finger and Toe, designed the perfect feel for this jolly tune. 🌴 🌴 昌憲本人真的很有活力，不管是鏡頭外還是鏡頭前都非常專業，把大家逗得哈哈大笑，一定是大拇指的啦！ 感謝參與這支MV的所有人，沒有大家的幫忙就不會有今天這支可愛的MV，Enjoy! 「無閒」是工作忙碌的現代人最常拒絕邀約的理由。故事中兩個角色，一個是平凡的上班族蔡昌憲，另一個是充滿玩心的小蔡，當內心那個想要放鬆玩樂的小蔡終於獲得抒發時，「無閒」就變成「有閒」了。 🌴 🌴 #Luckysparks #FT #FingerandToe #animationstudio #collage #animation #digitalcollage #creativechallenge #有閒 #MusicVideo #蔡昌憲
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"A Taste of Reinvention" Our animation team @fingerandtoetv collaborated with the SCCC (Singapore Chinese Cultural Centre ) to bring viewers on a fun-filled journey through Singapore's vast culinary history. From Hainanese Chicken, Laksa to Kaya toast- learn about all your favorite dishes as they animate right before you at the dining table!⁣ ⁣ Finger and Toe團隊第一次嘗試光雕投影（Projection mapping），同時也是互動性的案子，用動畫在餐桌上介紹新加坡最具代表性五道佳餚的歷史。⁣ ⁣ 盤子因為投影可以玩出不同的變化，可以是時鐘，船的觀景窗，或者是大家一起圍爐的大桌子。⁣ 餐桌中央的圓形轉盤到觀眾面前的盤子的上菜過程。可以用動畫的方式有不同有趣味的方式呈現，不過這個案子執行的最大困難是搜尋大量食物的參考圖之後，要耐住飢餓的肚子製作動畫。⁣ （新知識：原來餐桌的圓形轉盤叫做Lazy susan「懶惰的蘇珊」相傳美國過去的女僕普遍叫做Susan，而有位女僕不想在上菜時總是繞著餐桌走，因此才有了餐桌轉盤“lazy Susan”的發明！） ⁣ 😋😋😋祝大家看完胃口大開😋😋😋⁣
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In collaboration with 3D team at NullsDesign, Finger and Toe created the animation for Gogoro’s latest scooter launch! the green ball represents smart energy. It’s exciting to see what kind of possibility sparks when it collides with different ideas, and lead us toward the future full of unbounded potential. - @fingerandtoetv 跟很carry的3D動畫團隊空集一起合作了Gogoro今年2/23新車發表會的片頭動畫！ 綠色的能源球表示著聰明的電力，當這個小綠球遇到不同的想法時會激發出怎麼樣的火花，它會帶領著我們朝向多不可限量的未來。
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In the year 2020, many unpredictable happened, many students and teachers are forced to stay at home. Then there's the big hands from Myviewboard, helping us in both physical and virtual classroom, so that we could accomplish all tasks.  In this project @fingerandtowtv choose birds as our characters not only because Viewsonic’s logo is three birds on a stick, but also birds are just simply cute! 2020年發生了很多突發事件讓大家沒辦法上學，還好myViewBoard化作萬能的大手手在虛擬和實體教室內幫助大家完成教學上的課題，會用鳥兒來當作主角不僅是因為鳥很可愛也是因為Viewsonic的LOGO就是三隻小鳥站在樹枝上。
3
In this project @FingerandToetv took upon the challenge to let the audience learn everything about MediaTek’s NeuroPilot in a short period of time by visualizing the ecosystem of MediaTek’s Edge-AI hardware processing with comprehensive software tools, and the results are stunning. 在這支MediaTek’s案子中，@fingerandtoetv的挑戰來自於如何在短時間內，簡潔地以向量風格的畫面，介紹產品的使用方式。而最後的成品實在是太令人喜歡了。
5
A 3d product demo for Optoma’s Bee Free 8 earphones . @fingerandtoetv為Optoma’s Bee Free 8 耳機製作的展示影片，跟著音樂都飄浮起來了。
4
Sense Complexity In this animated brand film for Calyx, @fingerandtoetv explores the nuances of sensing technology and how they are breaking barriers, bringing the industry to new heights with their multi-gas detection sensors. Animated for your easy digestion. 在這支Calyx品牌動畫影片中，@fingerandtoetv 用輕鬆的動畫，講述品牌的科技功能，Calyx是 如何打破疆界，而他們又如何以多氣檢測傳感器，帶領產業提升到另一個層級。
6
In MATELIN’s new Music video, @Fingerandtoetv tells a touching story about a girl on an epic journey in search of magic stones to awaken the dearest person to her. 在林瑪黛『又相遇了』MV中，@Fingerandtoetv闡述一個女孩為了喚醒最珍貴的那個人，踏上了穿越宇宙與時空，尋找寶石的歷險之旅。 你願意，為了最重要的相遇，交換自己的一部分嗎
15
A recent Puma spot starring @mr.lixian that @fingerandtoetv animated for @jayga & @startfilms_shanghai. Thanks for the collab! @fingerandtoetv 為Puma所製作的動畫廣告，是不是看著也想跑起來？
19
Finger and Toe’s fun and carefree music video for Erin Song, follows Erin as she cruises through town on a beautiful, sunny day. Finger and Toe’s soft, colorful style is a perfect match for the breezy, upbeat song that is a perfect addition to any summer playlist. @fingerandtoetv 為宋楚琳製作的MV謎樣女子 用歌詞為設計出發點，以畫面敘述主角對自己誠實的對話。 她的假日，決定帶著自己去海邊泡水。戴上大大的耳環，永遠都是擦著那條艷紅色的口紅，不喜歡擦防曬乳，穿著自己最喜歡的那條喇叭褲，帶著自己去海邊，跟平常一樣與自己相處，大步的闊步走在街上，她看到喜歡的對象，不打擾他，借位的跟他乾杯，她想到自己還是獨自一人，不是沒有人喜歡，只是太清楚自己的喜好。當她內心決定接受原本的自己後，隨著蝴蝶起舞，最後在海邊遇到有個喜歡最真實自己的對象“不用為她操心baby ，她總是這樣的相信”
32
It's been a while since we’ve started WFH, happy to announce that WE ARE FINALLY BACK IN THE OFFICE!

Major thanks to all of the front-line medical workers that made this even possible.

Can’t wait to see all of the friendly faces. 歷經一段時間的等待，LUCKYSPARKS團隊回辦公室上班了。 有影片製作業務需求的你，撥打室內電話，將有專人接聽、路過辦公室落地窗前的你，將看到萌奇，回來駐點看守。 疫情雖仍在，但已有了嚴格的防疫拍攝SOP的我們，將繼續在創意的路上綻放。 能夠在辦公室看到大家，真是溫馨，謝謝辛苦的第一線醫療人員！
31
It's been a while since we’ve started WFH, happy to announce that WE ARE FINALLY BACK IN THE OFFICE!

Major thanks to all of the front-line medical workers that made this even possible.

Can’t wait to see all of the friendly faces. 歷經一段時間的等待，LUCKYSPARKS團隊回辦公室上班了。 有影片製作業務需求的你，撥打室內電話，將有專人接聽、路過辦公室落地窗前的你，將看到萌奇，回來駐點看守。 疫情雖仍在，但已有了嚴格的防疫拍攝SOP的我們，將繼續在創意的路上綻放。 能夠在辦公室看到大家，真是溫馨，謝謝辛苦的第一線醫療人員！
63
It's been a while since we’ve started WFH, happy to announce that WE ARE FINALLY BACK IN THE OFFICE!

Major thanks to all of the front-line medical workers that made this even possible.

Can’t wait to see all of the friendly faces. 歷經一段時間的等待，LUCKYSPARKS團隊回辦公室上班了。 有影片製作業務需求的你，撥打室內電話，將有專人接聽、路過辦公室落地窗前的你，將看到萌奇，回來駐點看守。 疫情雖仍在，但已有了嚴格的防疫拍攝SOP的我們，將繼續在創意的路上綻放。 能夠在辦公室看到大家，真是溫馨，謝謝辛苦的第一線醫療人員！
22
Jing is a bilingual, Chinese-American writer/director working extensively in China and the US.  As an immigrant child, Jing spent many hours in the library where he discovered his passion for stories.  This eventually led him to filmmaking, where he is known for his multicultural sensibility infused into stories full of heart and underdog drive. A graduate of USC’s School of Cinematic Arts, Jing began his career as a commercial director shooting for global brands such as Levi’s, Johnnie Walker, Cartier and McDonald’s. His work would receive recognition at the Cannes Lions, D&AD, ADDY awards, Creativity International and the AICP Show.  From there, Jing ventured into longer form filmmaking, where he has found success as both a writer and director.  His shorts have won HBO Visionaries, the Armed With a Camera Fellowship and the Sloan Foundation Grant. He was a staff writer on the inaugural season of the BET show Boomerang and directed two episodes of its sister show Twenties. Currently, he is in development as writer/director on his Black List winning script, Chang Can Dunk for Disney. 亞裔美籍導演Jing，自幼埋首於圖書館書堆裡，在文字間尋獲了對故事的真摯熱情；他渴望闡述跨越中西文化，跨越一切隔閡，皆能引起共鳴的劇情。 自USC畢業後，Jing首先涉足於廣告界，並獲得了卓越的成績，曾為Levi’s、Johnnie Walker、Cartier、McDonald’s等廠商拍攝過形象廣告，並同時鍛鍊著自己的各項能力。 在短片榮獲HBO Visionaries後，此項經歷也帶來了更多戲劇製作的機會。 深耕洛杉磯的他，正與迪士尼合作，著手前置自編自導的首部劇情長片Chang Can Dunk，此片將於2021秋天紐約開拍。 @shawbr0ther
24
Jing is a bilingual, Chinese-American writer/director working extensively in China and the US.  As an immigrant child, Jing spent many hours in the library where he discovered his passion for stories.  This eventually led him to filmmaking, where he is known for his multicultural sensibility infused into stories full of heart and underdog drive. A graduate of USC’s School of Cinematic Arts, Jing began his career as a commercial director shooting for global brands such as Levi’s, Johnnie Walker, Cartier and McDonald’s. His work would receive recognition at the Cannes Lions, D&AD, ADDY awards, Creativity International and the AICP Show.  From there, Jing ventured into longer form filmmaking, where he has found success as both a writer and director.  His shorts have won HBO Visionaries, the Armed With a Camera Fellowship and the Sloan Foundation Grant. He was a staff writer on the inaugural season of the BET show Boomerang and directed two episodes of its sister show Twenties. Currently, he is in development as writer/director on his Black List winning script, Chang Can Dunk for Disney. 亞裔美籍導演Jing，自幼埋首於圖書館書堆裡，在文字間尋獲了對故事的真摯熱情；他渴望闡述跨越中西文化，跨越一切隔閡，皆能引起共鳴的劇情。 自USC畢業後，Jing首先涉足於廣告界，並獲得了卓越的成績，曾為Levi’s、Johnnie Walker、Cartier、McDonald’s等廠商拍攝過形象廣告，並同時鍛鍊著自己的各項能力。 在短片榮獲HBO Visionaries後，此項經歷也帶來了更多戲劇製作的機會。 深耕洛杉磯的他，正與迪士尼合作，著手前置自編自導的首部劇情長片Chang Can Dunk，此片將於2021秋天紐約開拍。 @shawbr0ther
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Director Gill’s @psychobaby_gill latest collaboration with ELLE, using a cute fun magazine vibe. Check it out. 在和 ELLE合作的這支影片，造型致敬了一系列大家都很喜歡的日本高人氣女星。 以雜誌風格的呈現，將視線鎖定在每個女孩最迷人的瞬間。
Jan 01
Director Gill’s @psychobaby_gill latest collaboration with ELLE, using a cute fun magazine vibe. Check it out. 在和 ELLE合作的這支影片，造型致敬了一系列大家都很喜歡的日本高人氣女星。 以雜誌風格的呈現，將視線鎖定在每個女孩最迷人的瞬間。
Jan 01
Director Gill’s @psychobaby_gill latest collaboration with ELLE, using a cute fun magazine vibe. Check it out. 在和 ELLE合作的這支影片，造型致敬了一系列大家都很喜歡的日本高人氣女星。 以雜誌風格的呈現，將視線鎖定在每個女孩最迷人的瞬間。
Jan 01
What was the process of building the film, pairing the text and images? RH: It was all 100% scripted and planned. Every scene is related to the text of a real sound effect from a sound effects library, which I began collecting over a period of a few months. Then I built the whole film as an animatic first, based on those SFX titles and fleshed it out from there. 問：這部短片的製程是如何？ RH：全片都是劇本編排及計劃過的。每個段落的場景都與真實的SFX標題有關。 我花了數月的時間蒐集並建了一個SFX資料庫後，將全片先以動畫的方式組合，而後再慢慢的變為現在的形式。
Jan 01
The inclusion of the microphone in the first shot feels different. RH: Yeah, that’s the link to the inspiration of the film. The mic is a nod to the titles – which are (mostly) real titles of real sound effects used to underpin each scene. I wanted the audience to start with the idea that the titles are telling us what’s being recorded in each scene and then pull them to somewhere else completely as the film unfolds. 問：第一個場景裡所包含的麥克風設置感覺很特殊。 RH：是的，我所要表現的是，這部片的靈感與此片的連結，也是對短片標題的呼應。 幾乎全部的影像都有一個真實存在的SFX來做基石。 且我希望觀眾從標題告訴我們每個場景中記錄了什麼的想法開始，隨影像的展開再將他們牽引至其他地方。
Jan 01
Interview of director’s notes RH:I’m interested to explore the relationship the text has to the chapters. At the time I was obsessed with the idea of how we try and cope with loss, how we humans decompartmentalise it and what we need in order to create safe spaces and distance from difficult events. So that was on my mind when I was searching for SFX for another film project and I began noticing these incredibly emotive, yet emotionally distant titles that SFX use – ‘Respirator, noisy’ – and wondered if film as a medium could represent that mental ‘safe space’ and distance we need to cope with difficult events. RH：我對『人類如何調適與面對失去』這個主題特別著迷，我們傾向分區化，好得到足夠的距離與安全空間去面對困難事件。 思考這個主題的當時，我正在為另一個影像作品搜尋SFX，並注意到了一個勾起強烈情感，卻又同時充滿距離的SFX標題【呼吸器．吵雜】。 我便開始思考，影片作為一個媒介，能否代表人類面對及調適困難事件時，精神上的安全空間及距離。
Jan 01
In JJ Lin’s new music video, “We Will,” Remii tells a story about a boy with OCD and hypochondriac stepping out of his comfort zone to protect the one he cared for dearly. 我們都有自己的安全範圍，有些人比較有彈性，而有些人則是固定的形狀。 在JJ的新歌『一定會』中，Remii敘述著固定形狀的男孩，遇到了不得不踏出安全範圍的危急例子。 雖然只能一下下，但是為了在乎的人，就算惶恐也要奔向你。
Jan 01
In JJ Lin’s new music video, “We Will,” Remii tells a story about a boy with OCD and hypochondriac stepping out of his comfort zone to protect the one he cared for dearly. 我們都有自己的安全範圍，有些人比較有彈性，而有些人則是固定的形狀。 在JJ的新歌『一定會』中，Remii敘述著固定形狀的男孩，遇到了不得不踏出安全範圍的危急例子。 雖然只能一下下，但是為了在乎的人，就算惶恐也要奔向你。
Jan 01
In JJ Lin’s new music video, “We Will,” Remii tells a story about a boy with OCD and hypochondriac stepping out of his comfort zone to protect the one he cared for dearly. 我們都有自己的安全範圍，有些人比較有彈性，而有些人則是固定的形狀。 在JJ的新歌『一定會』中，Remii敘述著固定形狀的男孩，遇到了不得不踏出安全範圍的危急例子。 雖然只能一下下，但是為了在乎的人，就算惶恐也要奔向你。
Jan 01
Falling in love is one of the craziest human experiences. Your heart starts racing; your pupil dilates ; time flies when you're with them, yet when apart, every second feels like a century. It feels like being possessed, and the only thing you can do is surrender. 在陳亨利 @chenrychen 為 @jjlin 執導的最新MV 『Like You Do』中，用影像詮釋著剛陷入戀情中的人們，那種身不由己，宛如著魔般的狂亂狀態。
Jan 01
Falling in love is one of the craziest human experiences. Your heart starts racing; your pupil dilates ; time flies when you're with them, yet when apart, every second feels like a century. It feels like being possessed, and the only thing you can do is surrender. 在陳亨利 @chenrychen 為 @jjlin 執導的最新MV 『Like You Do』中，用影像詮釋著剛陷入戀情中的人們，那種身不由己，宛如著魔般的狂亂狀態。
Jan 01
Falling in love is one of the craziest human experiences. Your heart starts racing; your pupil dilates ; time flies when you're with them, yet when apart, every second feels like a century. It feels like being possessed, and the only thing you can do is surrender. 在陳亨利 @chenrychen為 @jjlin 執導的最新MV 『Like You Do』中，用影像詮釋著剛陷入戀情中的人們，那種身不由己，宛如著魔般的狂亂狀態。
Jan 01
In this new teaser @fingerandtoetv created for ASUS 2022CES, we follow the astronaut’s journey to a detailed planet that’s inspired by the ASUS’s logo. 👩🏻‍🚀 新年的開端我們化身為太空人，登上飛行器，穿越黑洞登陸Folding World探索新世界。在短短的2022CES teaser中，無論是摩斯密碼登機證、呼應商品折疊特色的飛行器或是隱藏ASUS logo造型的場景設計，都蘊含著FT的巧思，作為ASUS揭開大螢幕摺疊筆電旅程的楔子。 👩🏻‍🚀 #2022 #ASUS #animation #fingerandtoetv
Jan 01
In this new teaser @fingerandtoetv created for ASUS 2022CES, we follow the astronaut’s journey to a detailed planet that’s inspired by the ASUS’s logo. 👩🏻‍🚀 新年的開端我們化身為太空人，登上飛行器，穿越黑洞登陸Folding World探索新世界。在短短的2022CES teaser中，無論是摩斯密碼登機證、呼應商品折疊特色的飛行器或是隱藏ASUS logo造型的場景設計，都蘊含著FT的巧思，作為ASUS揭開大螢幕摺疊筆電旅程的楔子。 👩🏻‍🚀 #2022 #ASUS #animation #fingerandtoetv
Jan 01
In this new teaser @fingerandtoetv created for ASUS 2022CES, we follow the astronaut’s journey to a detailed planet that’s inspired by the ASUS’s logo. 👩🏻‍🚀 新年的開端我們化身為太空人，登上飛行器，穿越黑洞登陸Folding World探索新世界。在短短的2022CES teaser中，無論是摩斯密碼登機證、呼應商品折疊特色的飛行器或是隱藏ASUS logo造型的場景設計，都蘊含著FT的巧思，作為ASUS揭開大螢幕摺疊筆電旅程的楔子。 👩🏻‍🚀 #2022 #ASUS #animation #fingerandtoetv
Jan 01
Our last project of 2021! Directed by @poyisung 就用與每天都離不開的好夥伴『LINE』的合作， 來為去年所有工作劃下句點～。 #line #2021
Jan 01
Our last project of 2021! Directed by @poyisung 就用與每天都離不開的好夥伴『LINE』的合作，來為去年所有工作劃下句點～。 #line #2021
Jan 01
Our last project of 2021! Directed by @poyisung 就用與每天都離不開的好夥伴『LINE』的合作，來為去年所有工作劃下句點～。 #line #2021
Jan 01
When we make friends with an individual, it’s as if we saved a version of ourselves along with that person, and every time we reunite, we reload, as time has never passed. 用純粹的畫面，講述最真誠的心情。 有沒有一個朋友多年未見，但還是常常想起對方？ 相識一個交心的人，是不是如相互存檔，將自己當下的模樣，存在對方那裡了呢？ 想起你，就像想起當時的自己。
Jan 01
When we make friends with an individual, it’s as if we saved a version of ourselves along with that person, and every time we reunite, we reload, as time has never passed. 用純粹的畫面，講述最真誠的心情。 有沒有一個朋友多年未見，但還是常常想起對方？ 相識一個交心的人，是不是如相互存檔，將自己當下的模樣，存在對方那裡了呢？ 想起你，就像想起當時的自己。
Jan 01
When we make friends with an individual, it’s as if we saved a version of ourselves along with that person, and every time we reunite, we reload, as time has never passed. 用純粹的畫面，講述最真誠的心情。 有沒有一個朋友多年未見，但還是常常想起對方？ 相識一個交心的人，是不是如相互存檔，將自己當下的模樣，存在對方那裡了呢？ 想起你，就像想起當時的自己。 #emersontsai #蔡昌憲
Jan 01
In Greek mythology, the newly dead who drank from the River Lethe would lose all memory of their past existence.    In Asia, it is called the “Meng Po Soup,” made from the river of forgetfulness under the bridge of reincarnation. Before crossing, the deceased would drink this soup to forget all emotions and memories.   Those who choose not to often have someone so dearly in their heart that even death can’t tear them apart and will have a birthmark in subsequent life to help remind them that they have someone to find in this new life. 🥣 我反芻著你留下的寂寞MV中，Remii耳目一新詮釋著經典，『孟婆湯』的故事。 阿澤死守著記憶，只為來世能再度尋回珍愛的人。 🥣 #理想混蛋 #林哲熹
Jan 01
In Greek mythology, the newly dead who drank from the River Lethe would lose all memory of their past existence.    In Asia, it is called the “Meng Po Soup,” made from the river of forgetfulness under the bridge of reincarnation. Before crossing, the deceased would drink this soup to forget all emotions and memories.   Those who choose not to often have someone so dearly in their heart that even death can’t tear them apart and will have a birthmark in subsequent life to help remind them that they have someone to find in this new life. 🥣 我反芻著你留下的寂寞MV中，Remii耳目一新詮釋著經典，『孟婆湯』的故事。 阿澤死守著記憶，只為來世能再度尋回珍愛的人。 🥣 #理想混蛋 #林哲熹
Jan 01
In Greek mythology, the newly dead who drank from the River Lethe would lose all memory of their past existence.    In Asia, it is called the “Meng Po Soup,” made from the river of forgetfulness under the bridge of reincarnation. Before crossing, the deceased would drink this soup to forget all emotions and memories.   Those who choose not to often have someone so dearly in their heart that even death can’t tear them apart and will have a birthmark in subsequent life to help remind them that they have someone to find in this new life. 🥣 我反芻著你留下的寂寞MV中，Remii耳目一新詮釋著經典，『孟婆湯』的故事。 阿澤死守著記憶，只為來世能再度尋回珍愛的人。 🥣 #理想混蛋 #林哲熹
Jan 01
In this new music video directed by Henry Chen, he explores the passionate view of #Antiwork 在導演陳亨利為蕭秉治所拍攝的Wild中，工廠可代表著社會，老闆也可看作為，一直位處上層的各式壓迫者。 從他們的角度往下看，是一片黑壓壓沒有姓名的消耗品。 而身處工廠，穿梭人群中唱歌的蕭秉治，即代表你我心底不畏強權的聲音，鼓勵我們起身反抗。 #蕭秉治 #musicvideo #wild
Jan 01
In this new music video directed by Henry Chen, he explores the passionate view of #Antiwork 在導演陳亨利為蕭秉治所拍攝的Wild中，工廠可代表著社會，老闆也可看作為，一直位處上層的各式壓迫者。 從他們的角度往下看，是一片黑壓壓沒有姓名的消耗品。 而身處工廠，穿梭人群中唱歌的蕭秉治，即代表你我心底不畏強權的聲音，鼓勵我們起身反抗。 #蕭秉治 #musicvideo #wild
Jan 01
In this new music video directed by Henry Chen, he explores the passionate view of #Antiwork 在導演陳亨利為蕭秉治所拍攝的Wild中，工廠可代表著社會，老闆也可看作為，一直位處上層的各式壓迫者。 從他們的角度往下看，是一片黑壓壓沒有姓名的消耗品。 而身處工廠，穿梭人群中唱歌的蕭秉治，即代表你我心底不畏強權的聲音，鼓勵我們起身反抗。 #蕭秉治 #musicvideo #wild
Jan 01
In Greg Han's new music video “One Day At A Time”, the camera continuously rotates around him at the same speed. Director Remii used this setup to represent time. Each spin, we see a different side of Greg and get to know him a little bit more. MV『一日』的構想中，導演黃婕妤 @remiimartinii 認為車子就像移動的內在空間。 鏡頭以同樣的速率，如時鐘般，在車內持續轉動， 車內循環的這五圈當中，我們陪著許光漢經歷各個面向，一層層地，從日常剝開，直到純淨的核心。 🛻 #kuanghanhsu #musicvideo #許光漢 #一日
Jan 01
In Greg Han's new music video “One Day At A Time”, the camera continuously rotates around him at the same speed. Director Remii used this setup to represent time. Each spin, we see a different side of Greg and get to know him a little bit more. MV『一日』的構想中，導演黃婕妤 @remiimartinii 認為車子就像移動的內在空間。 鏡頭以同樣的速率，如時鐘般，在車內持續轉動， 車內循環的這五圈當中，我們陪著許光漢經歷各個面向，一層層地，從日常剝開，直到純淨的核心。 🛻 #kuanghanhsu #musicvideo #許光漢 #一日
Jan 01
In Greg Han's new music video “One Day At A Time”, the camera continuously rotates around him at the same speed. Director Remii used this setup to represent time. Each spin, we see a different side of Greg and get to know him a little bit more. MV『一日』的構想中，導演黃婕妤 @remiimartinii 認為車子就像移動的內在空間。 鏡頭以同樣的速率，如時鐘般，在車內持續轉動， 車內循環的這五圈當中，我們陪著許光漢經歷各個面向，一層層地，從日常剝開，直到純淨的核心。 🛻 #kuanghanhsu #musicvideo #許光漢 #一日
Jan 01
Emerson Tsai's second music video with us, "Walk Together," directed by Jung Kuan Chen. In this music video, Emerson Tsai appears to be the traditional Taiwanese grocery store owner, but in fact, a secret Cupid, looking after the shy boy helping him to pursue his first love. 🛋 與蔡昌憲合作的第二支MV上線啦。 導演特殊的寬式風格，也讓人一眼就看出是他的新作品。 在【玲瑯踅】中，蔡昌憲化身為古意的傳統雜貨店老闆，默默地充當害羞男孩的邱比特，溫暖照看著這段萌芽的戀情。 — Dir @jungkuandragon #musicvideo #蔡昌憲 #玲瑯踅
Jan 01
Emerson Tsai's second music video with us, "Walk Together," directed by Jung Kuan Chen. In this music video, Emerson Tsai appears to be the traditional Taiwanese grocery store owner, but in fact, a secret Cupid, looking after the shy boy helping him to pursue his first love. 🛋 與蔡昌憲合作的第二支MV上線啦。 導演特殊的寬式風格，也讓人一眼就看出是他的新作品。 在【玲瑯踅】中，蔡昌憲化身為古意的傳統雜貨店老闆，默默地充當害羞男孩的邱比特，溫暖照看著這段萌芽的戀情。 — Dir @jungkuandragon #musicvideo #蔡昌憲 #玲瑯踅
Jan 01
Emerson Tsai's second music video with us, "Walk Together," directed by Jung Kuan Chen. In this music video, Emerson Tsai appears to be the traditional Taiwanese grocery store owner, but in fact, a secret Cupid, looking after the shy boy helping him to pursue his first love. 🛋 與蔡昌憲合作的第二支MV上線啦。 導演特殊的寬式風格，也讓人一眼就看出是他的新作品。 在【玲瑯踅】中，蔡昌憲化身為古意的傳統雜貨店老闆，默默地充當害羞男孩的邱比特，溫暖照看著這段萌芽的戀情。 — Dir @jungkuandragon #musicvideo #蔡昌憲 #玲瑯踅
Jan 01
We had a great time working with Emerson Tsai. The music video "I'm Free" directed by Supadog, one of the core members of Finger and Toe, designed the perfect feel for this jolly tune. 🌴 🌴 昌憲本人真的很有活力，不管是鏡頭外還是鏡頭前都非常專業，把大家逗得哈哈大笑，一定是大拇指的啦！ 感謝參與這支MV的所有人，沒有大家的幫忙就不會有今天這支可愛的MV，Enjoy! 「無閒」是工作忙碌的現代人最常拒絕邀約的理由。故事中兩個角色，一個是平凡的上班族蔡昌憲，另一個是充滿玩心的小蔡，當內心那個想要放鬆玩樂的小蔡終於獲得抒發時，「無閒」就變成「有閒」了。 🌴 🌴 #Luckysparks #FT #FingerandToe #animationstudio #collage #animation #digitalcollage #creativechallenge #有閒 #MusicVideo #蔡昌憲
Jan 01
We had a great time working with Emerson Tsai. The music video I'm Free directed by Supadog, one of the core members of Finger and Toe, designed the perfect feel for this jolly tune. 🌴 🌴 昌憲本人真的很有活力，不管是鏡頭外還是鏡頭前都非常專業，把大家逗得哈哈大笑，一定是大拇指的啦！ 感謝參與這支MV的所有人，沒有大家的幫忙就不會有今天這支可愛的MV，Enjoy! 「無閒」是工作忙碌的現代人最常拒絕邀約的理由。故事中兩個角色，一個是平凡的上班族蔡昌憲，另一個是充滿玩心的小蔡，當內心那個想要放鬆玩樂的小蔡終於獲得抒發時，「無閒」就變成「有閒」了。 🌴 🌴 #Luckysparks #FT #FingerandToe #animationstudio #collage #animation #digitalcollage #creativechallenge #有閒 #MusicVideo #蔡昌憲
Jan 01
We had a great time working with Emerson Tsai. The music video "I'm Free" directed by Supadog, one of the core members of Finger and Toe, designed the perfect feel for this jolly tune. 🌴 🌴 昌憲本人真的很有活力，不管是鏡頭外還是鏡頭前都非常專業，把大家逗得哈哈大笑，一定是大拇指的啦！ 感謝參與這支MV的所有人，沒有大家的幫忙就不會有今天這支可愛的MV，Enjoy! 「無閒」是工作忙碌的現代人最常拒絕邀約的理由。故事中兩個角色，一個是平凡的上班族蔡昌憲，另一個是充滿玩心的小蔡，當內心那個想要放鬆玩樂的小蔡終於獲得抒發時，「無閒」就變成「有閒」了。 🌴 🌴 #Luckysparks #FT #FingerandToe #animationstudio #collage #animation #digitalcollage #creativechallenge #有閒 #MusicVideo #蔡昌憲
Jan 01
"A Taste of Reinvention" Our animation team @fingerandtoetv collaborated with the SCCC (Singapore Chinese Cultural Centre ) to bring viewers on a fun-filled journey through Singapore's vast culinary history. From Hainanese Chicken, Laksa to Kaya toast- learn about all your favorite dishes as they animate right before you at the dining table!⁣ ⁣ Finger and Toe團隊第一次嘗試光雕投影（Projection mapping），同時也是互動性的案子，用動畫在餐桌上介紹新加坡最具代表性五道佳餚的歷史。⁣ ⁣ 盤子因為投影可以玩出不同的變化，可以是時鐘，船的觀景窗，或者是大家一起圍爐的大桌子。⁣ 餐桌中央的圓形轉盤到觀眾面前的盤子的上菜過程。可以用動畫的方式有不同有趣味的方式呈現，不過這個案子執行的最大困難是搜尋大量食物的參考圖之後，要耐住飢餓的肚子製作動畫。⁣ （新知識：原來餐桌的圓形轉盤叫做Lazy susan「懶惰的蘇珊」相傳美國過去的女僕普遍叫做Susan，而有位女僕不想在上菜時總是繞著餐桌走，因此才有了餐桌轉盤“lazy Susan”的發明！） ⁣ 😋😋😋祝大家看完胃口大開😋😋😋⁣
Jan 01
In collaboration with 3D team at NullsDesign, Finger and Toe created the animation for Gogoro’s latest scooter launch! the green ball represents smart energy. It’s exciting to see what kind of possibility sparks when it collides with different ideas, and lead us toward the future full of unbounded potential. - @fingerandtoetv 跟很carry的3D動畫團隊空集一起合作了Gogoro今年2/23新車發表會的片頭動畫！ 綠色的能源球表示著聰明的電力，當這個小綠球遇到不同的想法時會激發出怎麼樣的火花，它會帶領著我們朝向多不可限量的未來。
Jan 01
In the year 2020, many unpredictable happened, many students and teachers are forced to stay at home. Then there's the big hands from Myviewboard, helping us in both physical and virtual classroom, so that we could accomplish all tasks.  In this project @fingerandtowtv choose birds as our characters not only because Viewsonic’s logo is three birds on a stick, but also birds are just simply cute! 2020年發生了很多突發事件讓大家沒辦法上學，還好myViewBoard化作萬能的大手手在虛擬和實體教室內幫助大家完成教學上的課題，會用鳥兒來當作主角不僅是因為鳥很可愛也是因為Viewsonic的LOGO就是三隻小鳥站在樹枝上。
Jan 01
In this project @FingerandToetv took upon the challenge to let the audience learn everything about MediaTek’s NeuroPilot in a short period of time by visualizing the ecosystem of MediaTek’s Edge-AI hardware processing with comprehensive software tools, and the results are stunning. 在這支MediaTek’s案子中，@fingerandtoetv的挑戰來自於如何在短時間內，簡潔地以向量風格的畫面，介紹產品的使用方式。而最後的成品實在是太令人喜歡了。
Jan 01
A 3d product demo for Optoma’s Bee Free 8 earphones . @fingerandtoetv為Optoma’s Bee Free 8 耳機製作的展示影片，跟著音樂都飄浮起來了。
Jan 01
Sense Complexity In this animated brand film for Calyx, @fingerandtoetv explores the nuances of sensing technology and how they are breaking barriers, bringing the industry to new heights with their multi-gas detection sensors. Animated for your easy digestion. 在這支Calyx品牌動畫影片中，@fingerandtoetv 用輕鬆的動畫，講述品牌的科技功能，Calyx是 如何打破疆界，而他們又如何以多氣檢測傳感器，帶領產業提升到另一個層級。
Jan 01
In MATELIN’s new Music video, @Fingerandtoetv tells a touching story about a girl on an epic journey in search of magic stones to awaken the dearest person to her. 在林瑪黛『又相遇了』MV中，@Fingerandtoetv闡述一個女孩為了喚醒最珍貴的那個人，踏上了穿越宇宙與時空，尋找寶石的歷險之旅。 你願意，為了最重要的相遇，交換自己的一部分嗎
Jan 01
A recent Puma spot starring @mr.lixian that @fingerandtoetv animated for @jayga & @startfilms_shanghai. Thanks for the collab! @fingerandtoetv 為Puma所製作的動畫廣告，是不是看著也想跑起來？
Jan 01
Finger and Toe’s fun and carefree music video for Erin Song, follows Erin as she cruises through town on a beautiful, sunny day. Finger and Toe’s soft, colorful style is a perfect match for the breezy, upbeat song that is a perfect addition to any summer playlist. @fingerandtoetv 為宋楚琳製作的MV謎樣女子 用歌詞為設計出發點，以畫面敘述主角對自己誠實的對話。 她的假日，決定帶著自己去海邊泡水。戴上大大的耳環，永遠都是擦著那條艷紅色的口紅，不喜歡擦防曬乳，穿著自己最喜歡的那條喇叭褲，帶著自己去海邊，跟平常一樣與自己相處，大步的闊步走在街上，她看到喜歡的對象，不打擾他，借位的跟他乾杯，她想到自己還是獨自一人，不是沒有人喜歡，只是太清楚自己的喜好。當她內心決定接受原本的自己後，隨著蝴蝶起舞，最後在海邊遇到有個喜歡最真實自己的對象“不用為她操心baby ，她總是這樣的相信”
Jan 01
Jing is a bilingual, Chinese-American writer/director working extensively in China and the US.  As an immigrant child, Jing spent many hours in the library where he discovered his passion for stories.  This eventually led him to filmmaking, where he is known for his multicultural sensibility infused into stories full of heart and underdog drive. A graduate of USC’s School of Cinematic Arts, Jing began his career as a commercial director shooting for global brands such as Levi’s, Johnnie Walker, Cartier and McDonald’s. His work would receive recognition at the Cannes Lions, D&AD, ADDY awards, Creativity International and the AICP Show.  From there, Jing ventured into longer form filmmaking, where he has found success as both a writer and director.  His shorts have won HBO Visionaries, the Armed With a Camera Fellowship and the Sloan Foundation Grant. He was a staff writer on the inaugural season of the BET show Boomerang and directed two episodes of its sister show Twenties. Currently, he is in development as writer/director on his Black List winning script, Chang Can Dunk for Disney. 亞裔美籍導演Jing，自幼埋首於圖書館書堆裡，在文字間尋獲了對故事的真摯熱情；他渴望闡述跨越中西文化，跨越一切隔閡，皆能引起共鳴的劇情。 自USC畢業後，Jing首先涉足於廣告界，並獲得了卓越的成績，曾為Levi’s、Johnnie Walker、Cartier、McDonald’s等廠商拍攝過形象廣告，並同時鍛鍊著自己的各項能力。 在短片榮獲HBO Visionaries後，此項經歷也帶來了更多戲劇製作的機會。 深耕洛杉磯的他，正與迪士尼合作，著手前置自編自導的首部劇情長片Chang Can Dunk，此片將於2021秋天紐約開拍。 @shawbr0ther
Jan 01
Jing is a bilingual, Chinese-American writer/director working extensively in China and the US.  As an immigrant child, Jing spent many hours in the library where he discovered his passion for stories.  This eventually led him to filmmaking, where he is known for his multicultural sensibility infused into stories full of heart and underdog drive. A graduate of USC’s School of Cinematic Arts, Jing began his career as a commercial director shooting for global brands such as Levi’s, Johnnie Walker, Cartier and McDonald’s. His work would receive recognition at the Cannes Lions, D&AD, ADDY awards, Creativity International and the AICP Show.  From there, Jing ventured into longer form filmmaking, where he has found success as both a writer and director.  His shorts have won HBO Visionaries, the Armed With a Camera Fellowship and the Sloan Foundation Grant. He was a staff writer on the inaugural season of the BET show Boomerang and directed two episodes of its sister show Twenties. Currently, he is in development as writer/director on his Black List winning script, Chang Can Dunk for Disney. 亞裔美籍導演Jing，自幼埋首於圖書館書堆裡，在文字間尋獲了對故事的真摯熱情；他渴望闡述跨越中西文化，跨越一切隔閡，皆能引起共鳴的劇情。 自USC畢業後，Jing首先涉足於廣告界，並獲得了卓越的成績，曾為Levi’s、Johnnie Walker、Cartier、McDonald’s等廠商拍攝過形象廣告，並同時鍛鍊著自己的各項能力。 在短片榮獲HBO Visionaries後，此項經歷也帶來了更多戲劇製作的機會。 深耕洛杉磯的他，正與迪士尼合作，著手前置自編自導的首部劇情長片Chang Can Dunk，此片將於2021秋天紐約開拍。 @shawbr0ther
Jan 01